Lumpen’s How-to Guide For Writers.  

Send your article submissions to or


First things first, here are 9 points you need to know: 


  1. We only accept writing from those who identify as working-class or if not identifying as working class, have experienced long term involuntary poverty and economic hardship

  2. We may accept writing of all lengths, but generally, we look for anything between 2,000 and 4,000 words

  3. We accept all styles of writing – fiction, non-fiction, poetry – there’s a little list of writing styles in the section on structure

  4. For each issue, we suggest several themes and questions. These are just suggestions, and if you want to write about something else that's fine. 

  5. If you've never written before or are lacking in confidence in your writing, get in touch. We can support you with your writing, and help with strategies to help get your ideas on paper. For example, one article for a future issue will be a transcribed interview with a working-class organiser

  6. Don't worry if you're not confident about spelling, grammar, sounding educated enough. The first two the editors can help out with, and the last one can go fuck itself. What we're interested in is hearing your ideas based on your lived experiences

  7. Concerned about style? Don't be, we're happy to publish openly angry rants written in staccato rhythm or fictional narratives about killer avocados on toast,  written with references, and everything else in between. Whatever voice you feel comfortable using

  8. Please submit your work without unnecessary formatting - that means no paragraph indentations or line breaks - if there is something specific you would like included in the formatting of your piece then please specify this as a note with your text 

  9. We can only publish one piece of work by an author per issue so please send us your best work - for poetry submissions please send no more than three and we will choose our favourite

  10. We will respond to you as soon as we can to let you know what happens next. Please be aware that we can't publish everything we get - but are always open to working with our writers for print in a later issue if it isn't quite there yet

  11. Please title your work, if you can’t think of one we can help you find one

  12. Name yourself as you’d like to see it printed, or state if you would like to remain anonymous 

If you want more information and guidance, or for any general query please email us at


Now that’s said and done  – here’s some more info: 

Perhaps, some of you reading this have never written a word in your life, or at least have never written something for others to read.


Perhaps you have written before, perhaps you’ve been writing for ten years, an established and confident writer, who – like many of us, are underpaid and pissed off. Perhaps you’re an obsessive list-maker, scrawling pro’s and con’s on to the backs of cereal boxes ­– perhaps you’ve never thought about this as ‘writing’.  Perhaps you thought: to be a writer, you must have at least one published novel or an article in the Guardian. To be an author of writing you must be a person with two degrees, a portfolio of prestigious internships and able to take a last-minute flight to China for that all-important research. Perhaps to be a writer you must have three phones and work twenty hours straight, with only the promise of a career laden in status as your reward – family money helps with rent in the meantime of course.


We want to clear up any anxieties or assumptions about what contributing to this journal should or could look like. We aren’t only looking for professional writers, if you have something to contribute but aren’t sure how we are happy to help you work through it, we can redraft together, we can offer suggestions, we can help you with pulling out the ideas that are most important to you. We can scrap it, and start again. We are happy to encourage you to try, to fail, and fail again, because writing doesn’t just magically happen, and that can feel terrifying.

Tips for worriers:


  • Don’t know where to start? Start in the middle. Just try to get your ideas down on paper. It’s all practice.

  • Redrafting is everything. If you don’t like your first draft, that means you are ready to improve on your writing.


External Resources: 

Writing. Thinking. Doing – an LSE Guide. 

Working-class Women and Writing - a blog

Panic! Its an Arts Emergency (pdf)

Kit De waal on writing!

No Writer Left Behind - Collective writers. 

O.K., You're Not Shakespeare. Now Get Back to Work.

Common People - book

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